Camouflage
for piano and live electronics
Length: 11 minutes
Composed: 2011
Premiere: March 22, 2012. Gloria Cheng. Berkeley, California.
Program Note: Camouflage is a work for piano with interactive live electronics. All of the electronics are built from sounds sampled in real-time from the piano. In the first section of the work, the computer responds to the sharp attacks of the piano with colorful rhythmic patterns built from the very sound that triggered the pattern. In this way the music has a regular pulsing rhythm, without resorting to continuous sequenced patterns. The electronics act as an extension of the instrument, creating a hybrid entity in which both elements are necessary for the music to make sense. As the piece progresses, the underlying harmonic progression gradually becomes more prominent, enhanced by sustaining electronics, creating blurry impressionistic washes of color. As the piano moves increasingly towards an ecstatic outburst of romanticism the electronics respond by becoming increasingly noisy and aggressive.
Recent Performances
March 10, 2023 | Keith Kirchoff. Faculty Concert, Boston Conservatory at Berklee, Boston, MA.
May 22, 2022 | Bruna Di Virgilio. Piano City Festival, Milan, Italy.
May 2, 2021 | Bruna Di Virgilio. Conservatorio della Svizzera Italiana, Italy.
January 11, 2020 | Hyun-Mook Lim. Geishinryo-Art Salon, Tokyo, Japan.
February 21, 2020 | Hyun-Mook Lim. Chungmooro Cocoon Hall, Seoul, South Korea.
April 6, 2017 | Keith Kirchoff. University of South Florida, Tampa, FL.
April 5, 2017 | Keith Kirchoff. University of Florida, Gainsville, FL.
February 22, 2017| Keith Kirchoff, Cal State University, Northridge, CA.
February 20, 2017 | Keith Kirchoff. UC Santa Barbara, CA.
February 16, 2017 | Keith Kirchoff. CCRMA Stanford University, Palo Alto, CA.